The final LSH challenge of 2018 was to read a book with a lamp on the cover, and although I had a backup pick in the form of The Bedlam Stacks, in case my reservation didn’t arrive in good enough time, I knew pretty quickly what my first-choice book was going to be, as I’ve been wanting to read more from this author for a while now. And as luck would have it, my library came through for me again this month, so I’ve spent the last week or so reading (and pondering)…
THE TRANSMIGRATION OF BODIES
(translated by Lisa Dillman)
An epidemic is spreading across the city, and a young man and woman have died, but whether it’s by chance or design is up to the Redeemer to discover – and his also is the faint (and growing fainter) opportunity to keep their feuding families from all-out war.
My decision to pick up The Transmigration of Bodies was based primarily on my previous enjoyment of Signs Preceding the End of the World; it’s a very short book, with a heavy focus on crime, and none of these are things that I would usually gravitate towards, but I was drawn in by my appreciation for Herrera’s writing (and further reassured to see that Transmigration and Signs also share a translator)… And although I didn’t like this book as much as Signs, I’m glad to have read it.
As I almost expected, I didn’t really like a lot of the characters. The Redeemer – our protagonist – grew on me after a while, but I particularly disliked our introduction to him, where he comes across as an old man perving over his young neighbour (though in fact I don’t think we’re ever told how old he actually is), and most of the other characters came in and out of the story very quickly, which is to be expected from a novel this length, but disappointing nevertheless, as some of them seemed quite interesting. (The sister of one of the two deceased, known only as the Unruly, was my favourite.)
That said, what I was hoping to get out of Transmigration was not pure enjoyment, so much as a thought-provoking reading experience, and that was something that Herrera delivered in spades; he’s an absolute master of making a huge impact in a tiny amount of space. In this case, the story’s dark premise allowed for some really interesting discourse on violence and its consequences, and the eerie emptiness of the unnamed, plague-ridden city makes for an excellent backdrop, and was a huge highlight of the book for me.
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